Poza tym nagrali mnóstwo świetnych transowych rzeczy. It’s a great song. I was with a stripping agency because I was stripping at the time and for whatever reason, whoever was filming the video for him wanted to have dancers. So they got some dancers from Pineapple Studios in London. So they had orthodox dancers and they also wanted people that just danced. And not just disco dancers but people who were used to dancing in front of an audience or in front of cameras so they rang our agency. Three of us went down to the shoot (one of them was French Jane who used to do go-go dancing for The Who). All of us were given white satin shorts because it was at the Embassy Club and all of the male waiters there used to wear white satin shorts. Sylvester wanted the men in the shorts but he was stuck with these ten dancing girls instead. So the director said, ‘Will you dance to the music?’ Like you said, it’s a fantastic song but these Pineapple Studio girls were going, ‘...2, 3, 4, 5, 6,7, 8, 9, 10…’ [mimes intricate but stiff dance routine] And I was thinking, ‘Fuck me, it’s so regimented - why don’t you just listen to the record and dance?’ I think the director ended up using us and one or two of the girls from Pineapple who could let loose a little bit. But Sylvester got the boys in at the end. I think you can see them at the end of the video. He did get his way. I kept my shorts and I made a pattern off them so I could make some more pairs. They were really good for stripping in.